Reviews


Great Mom and Great Singer and Great Friend to all of us who love you.
— Carol Sloane

Jazz vocalist Donna Byrne made a rare New York appearance at Pangea (Oct. 6), revealing a seasoned singer whose style and repertoire has expanded into cross-genre forays of R&B, rock and pop. Her often-assertive style in many cases leans into arc building with the big finish (powerful belting) now much appreciated by the vox populi. Byrne opened with a swinging “Nobody else but me” (Kern, Hammerstein), true to her jazz roots. This number, preceded by a robust musical intro by her trio, brought to the fore a big revelation: That this group of musicians could have held the stage on their own. No wonder: Marshall Wood, Byrne’s bassist husband and arranger, not only played for many years with Tony Bennett, but had gigs with Dizzy Gillespie, Anita O’Day and many others. Drummer Les Harris, Jr. gigged with the likes of Clark Terry, James Moody and Rufus Reid. But it was the remarkable pianist Tim Ray who was consistently mind-blowingly creative and also has a resume playing with top-tier artists, including Bennett. So, naturally, Byrne presented a Bennett medley. Over the wide- ranging set, the vocalist was full of patter and humor— especially humor (more suited to the cabaret experience). Highlights included a jazzified “Eleanor Rigby” (Lennon, McCartney), spotlighting Ray’s inventiveness executing tempi and chord changes; a rarely-heard Jobim tune, “Somewhere in the Hills” (De Moraes, Gilbert), which yet again proved that a bossa beat can uplift even a “serious” lyric; and the closer, a credible R&B delivery of “Ain’t No Use”!
— Marily Lester for “New York City Jazz Record"

Donna Byrne made a triumphant return to the New York stage last night at Pangea in a concert that was bursting with energy, talent, and taste giving her adoring audience the most sublime of ballads and the most explosive of blues and swing numbers! From a Tony Bennett tribute to Sting to McCoy Tyner her song choices were filled with surprise and musical mastery; her version of “Blame It on My Youth” might just be the best I have ever heard. I hope this is just the beginning of regular visits to New York... we need her here as often as possible.
— Gerry Geddes

We have traveled the globe to work with Donna! She is the consummate professional. Her voice is so sophisticated and distinctive and instantly makes every song better.
— Jeff Megan

The internet opens up the opportunity for us to work with people around the globe. With a world of talent to choose from, no one quite compares to the professionalism and stunning vocal quality of Donna.
— David Tobin

While opening for Tony Bennett:


Tony sang one song right after the other without missing a beat and gave a lot of love to his band. There was an opening act. She (Donna Byrne) sang 3 songs and was amazing too.
— Audience Member

Well done! Tony Bennett was amazing- still game for a 91 year old. His voice still clear and strong. HIs opening act excellent (Donna Byrne). He sang many of his standards and also some material I hadn’t heard before. Outstanding.
— Audience Member

Star! Star! Star! Star! Star!
— Audience Member

PRESS


June 2018
Beth Guiffre
Atascadero News

"The show opened with jazz singer Donna Byrne. She’s a quick-witted, sassy entertainer."


Original article posted on Atascadero News:
https://atascaderonews.com/article/review-bennett-holds-paso-in-hug


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Wicket Local Hingham
January 1, 2018
Larry Lindner
Hingham Journal

An evening of great music coming to Hingham’s Ames Chapel

Renowned vocalist and her three-man instrumental group will perform hits from the Great American Songbook to the Beatles

Tony Bennett has said of her singing that “it doesn’t get any better than this” — and once flew home early from the Super Bowl to watch her perform. Bennett has had her open for him, as has Lou Rawls. Her voice can also be heard on television shows and in feature films. And she has sung in venues from L.A. to London, including New York’s Rainbow Room and Tavern on the Green.

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"The audience pays attention because she's not just singing a song."

Emmy award-winning musician Brad Hatfield on Donna Byrne, who will be performing at the Ames Chapel on January 20th.  

Now she’s coming to the Ames Chapel at 12 South Street in Hingham on the evening of Saturday, January 20th, at 8 p.m. for the ridiculously low price of $10 a ticket, thanks to generous underwriting from area businesses and individuals. (See box.)

“She” is Donna Byrne, the renowned jazz singer who assimilates rock ’n roll and R&B into her style, and who will be bringing with her to the Ames a trio of musicians, each with his own claims to fame. Pianist Tim Ray played for many years with Lyle Lovett and has also performed with Aretha Franklin and Bonnie Raitt at venues that include Carnegie Hall, the White House, and the Kennedy Center. He has appeared on The Tonight Show, Late Night with David Letterman, and The Conan O’Brien Show, as well.

Bassist Marshall Wood, Donna’s husband, has toured with the likes of Dizzy Gillespie and Nelson Riddle and currently plays for Tony Bennett. And drummer Jim Gwin wields his sticks for both the Boston Pops and the Boston Symphony Orchestra.

The show, called “Baby, It’s Cold Outside,” kicks off the Ames Chapel’s Dead of Winter Cultural Series put on by Hingham Cemetery’s Board of Directors.

“We remain appreciative of the fact that the town supported our efforts to restore the Ames,” says the cemetery’s president, Jay Sadlon. “We wanted to show our thanks by bringing some great talent to the chapel at an extraordinarily low price during a time of year when people need to shake off the doldrums. Later, in February and March, we’re going to have a famous author give a talk and host a dramatic performance by celebrated actors of film and stage, but Donna’s just right for warming the soul on a cold January night. She and her group will play two 45-minute sets with an intermission of free refreshments and libations during which the musicians will mingle with the crowd.”

Radio DJ Ron Della Chiesa, who hosts “Strictly Sinatra” followed by “Music America” on 99.1 FM Sunday evenings starting at 7 PM, and who also hosts the Boston Symphony Orchestra’s live broadcast each Saturday night on 99.5 FM, makes it clear that attendees are in for a treat. “Her intuition and her phrasing — the way she approaches a standard, whether it’s a ballad or an upbeat swing tune — she knows exactly where she’s going. Her sense of timing is perfect. She’s the consummate jazz singer out of the great tradition.”

Adds Della Chiesa, because “she came out of a generation that was rock ‘n roll and R&B and blues, so many people of a younger generation enjoy Donna as well as those of us who grew up with jazz and swing and big bands.” For sure, her rendition of the Beatles’ “Eleanor Rigby” will send chills up and down your spine.

“She’s at the top of her game,” Della Chiesa says. “Any time Donna Byrne performs, you want to be there. She has a way of turning the audience on. There are few performers who can do that these days.”

Jocko Arcidiacono, who books her at the Sahara Club in Methuen “as much as I can get her,” which isn’t often, agrees. “There’s 1,000 singers, but there’s a handful of artists. Donna Byrne is a true artist. She’s the only one who can sing a ballad that can make me cry. I mean, my name is ‘Jocko.’ I’m supposed to be a tough guy. But when she sings one of her masterpieces, I break up. I look like a fool. She gets across what the composer has in mind and even more. I’m sure Gershwin or Cole Porter would be very pleased with the way she does their works.”

Another Donna Byrne fan is Emmy-winning musician Brad Hatfield, who has played with everyone from James Taylor to Bono and writes music for both television and feature films. He says “she’s our number 1 call” for recording sessions that he does for television shows requiring what he describes as Donna’s accessible delivery that’s “true to the melody — a kind of timeless sound.” When Donna sings, Hatfield says, “the audience pays attention because she’s not just singing a song. She’s telling a story.”

For tickets to see Donna Byrne and her instrumental trio in “Baby, It’s Cold Outside,” head to the homepage of www.hinghamcemetery.org to pay online. Or write a check for $10 per person made out to Friends of Hingham Cemetery and mail to Christine Wasson, 44 Fearing Road, Hingham, MA 02043.

The Ames Chapel is an intimate setting with limited seating. Tickets are already going fast.


“Baby, It’s Cold Outside” with Donna Byrne would not have been made possible without the generosity of local businesses and organizations, particularly Hingham Institution for Savings and A.W. Perry, Inc., along with Strekalovsky Architecture, the Conservation Law Foundation, and the Hingham Cultural Council.